Located about 3km east of the Gyeongbok palace in Seoul, it is a detached palace built in 1405. In 1592 the Changdeok palace complex was completely burnt down except for the main gate Donhwamun, which naturally became the oldest surviving structure of the palace by the Japanese invasion under Hideyoshi's leadership. The palace was rebuilt in 1610 with more color and with a slightly different style of architecture. From this date, 13 kings used it as their official residence, except for a limited period of time when the Gyeongbok palace was restored and used by King Gojong. Renovated in 1907, Changdeok palace was used by Sunjong until his death in 1926.

The palace is divided into four major areas; Central palace buildings, Secret garden, Nakseonje and Seonwonjeon. Among the other attractions are private royal residences of Huijongdang, Taejojeon, the royal infirmary, Nakseonje, the residence of the widow of King Yeongchin (1897-1970) who was the last crown price, and Biwon or secret garden. Injeongjeon is a large double-roofed audience hall, the highest within the palace compound. It is surrounded by covered corridors which lead into adjoining reception rooms. In front of the hall, 12 tablets are positioned on each side of the raised walkway, denoting the various ranks of government officials. The steps leading to the double-tiered platform are flanked with crouching stone Haetae which continues to protect this building from fire. On the roof ridges solemnly sit eight rows of clay figurines called Japsang, which guard eternally against dangers to this magnificent structure. The first image represents a sitting man, Samjangbeopsa, a priest of early China who was later deified. A monkey, pig, snake and other creatures are further back.

The throne chair is in the middle of the hall. Behind the throne seat is a large Sun Moon screen with five mountains which depicts the adopted Confucian symbolism. Five happiness or five elements of wood, fire, earth, metal and water. Originally the structure was painted predominantly in red and green, the colors used by kings, but in the year that King Kojong declared Korea's independence from China the color scheme was changed to yellow, the imperial color the Emperor of Heaven. The hall itself has a high elegantly painted and gilded ceiling supported by numerous great red pillars. The entire courtyard is covered with flagstones. East of the main throne hall is the small audience chamber, Seonjeongjeon, the hall of the Dissemination of Government once used for receiving civil and military officials, and later foreign dignitaries. Reconstructed in 1653, it is the only building now roofed with blue glazed tiles.

Secret Garden
Behind the Changdeok palace is the Secret Garden covering 316,00㎡ of ground. It includes 44 buildings in different size as well as several ponds, springs, and streams. The garden was laid out in 1405 and enlarged in 1623. Throughout the year seasonal changes are mirrored in the placid ponds, while the fanciful pavilions continue to fascinate the young and the old. Buyongjeong is a graceful pavilion set by the large lotus pond, Buyongji, which is said to be fed by four springs but today these springs cannot be found. This pond has a small islet, and on the west of the pond is a small tablet constructed by Sukjong (the 19th king of the Joseon Dynasty) tells of the discovery of these four springs. Opposite the lotus pond is the Osumun gate and the Juhapru pavilion. The architectural design of this gate is impressive since the heavy roof is supported only by two small pillars. Juhapru is a double story building built by Yeongjo (the 21st king of the Joseon Dynasty). The lower floor was used as a royal library while the top floor, overlooking the spacious gardens and lotus pond spattered with colorful tints of blossoms, provided a place for entertainment and feasts. Yeonghwadang, the Lotus flower-reflecting pavilion is located east of the first lotus pond upon entering the Secret Garden. It was built in 1692 and was used for public examinations for positions as government officials.

On the southwestern corner of the building displays a sundial. Yeongyeongdang is the maximum size under the Joseon dynasty laws, which forbade anyone other than royalty to have a house of more than 100 Kan. Built in 1828, it is the only house in the palace in the style of a private residence, where Sunjo often frequented to experience the private life. The king sometimes visited here to experience private life. At those times every aspect of his lifestyle followed that a man of noble birth, right down to the clothing he wore. This house is a good example of a nobleman's of and is thus a precious historical resource. Upon entering Yeongyeongdang, the visitor encounters a wide yard and the servants' quarters. After entering the Jangnakmun, a high gate in the wall, on either side are two inner gates. The men's quarters lie through the gate Jangyangmun to the right, while the women's quarters lie through the Suinmun gate to the left. There is a low wall between the quarters for men and women, and thus they appear to be two separate buildings. But, they are actually connected as one. To the east of men's quarters is an inner gate that passes through the servants' quarters, and behind the women's quarters is the separate kitchen. The stonework, channels, and ponds outside Jangnakmun, and the terraced flower beds of Nongsujeong all exhibit the style of a nobleman's garden of the days. The palace can be visited individually, but the Secret Garden is in group at designated time. English guided tour is available at 11:30, and 14:30 daily except Monday.

Jongmyo Shrine
It is located in south of the Changgyeong palace in Seoul. Being the premier ancestral shrine in Korea, it is dedicated to the spirits of Korea's royal ancestors. It was built by the founder of the Joseon dynasty in 1396 and has been extended ever since. Today ancestral ritual service is performed here by the Yi families every first Sunday of May. The ritual is usually from 09:30 to 14:30 accompanied by royal procession from the palace to the shrine as it used to. The Jongmyo ceremony pays reverence to the spirits of 20 Joseon dynasty kings and queens with music and dance. Jongmyo Jerye, or the Royal Ancestral Rite was one of the most important court events during the Joseon period. It was conducted five times annually. Joseon kings and court dignitaries made an imposing spectacle officiating before the 20 individual shrines. The special music, composed by King Sejong, using the same jade-stone gongs with gradual thickness, bells and other traditional musical instruments, has a richer texture than the Confucian rites. It is closed on Tuesdays.

Suwon Hwaseong
Suwon Hwaseong was built in 1794-1796 during the reign of King Jeongjo, the 22nd ruler of the Joseon dynasty (1392-1910). Embracing the busy downtown area of the Suwon, some 30km south of Seoul, Hwaseong Fortress embodies Jeongjo's devotion to his ill-fated father and his ideals for a modern administrative and commercial center with stalwart defense. The 5.74Km wall, fortified with various military facilities, is the shining accomplishment of a sagacious king who led a political and cultural renaissance with the counsel of young scholars seeking institutional reforms and practical application of academic theories. Though it is relatively small in scale, Suwon Hwaseong has been recognized by experts as the best structure of its kind built ever built. The fortress has a total perimeter of 5.74Km and encloses an area of 1.3㎢. The four major gates stand in the four cardinal directions: Janganmun in the north, Paldalmun in the South, Changnyongmun in the east and Hwaseomun in the west. The two larger gates, Janganmun and Paldalmun, have an imposing two-story wooden pavilion standing on top of a stone structure with an arched entrance, which is shielded by a semicircular chemise built of brick and flanked by gate guard platforms on either side. The chemise also has an arched entrance in the center and a single-story pavilion-shaped wooden superstructure. The chemise is connected to the gate guard platforms with parapet walks with crenels and merlons. There are five machicolations over the arched entrance.

The fortress has multifunctional design as a military, political, and commercial center, making it very unique indeed. The fortress is parapeted with crenels and merlons and highlighted by lofty watch towers and secret gates leading down to dark labyrinths. Hwaseong Fortress stretches over changing terrain from high mountain ridges overlooking a crowded urban center to flat land park with well-tended lawn to a bustling marketplace surrounded by a densely populated neighborhood. The stone rampart, roughly an oval shape extending to north and south but meandering due to the changing topography, is some 4-6 meters in height, growing higher on flatland and lower on mountain ridges. In most sections, the ground level is much higher inside the rampart than outside, a plan to make it difficult for enemy troops to approach. The fortress looks remarkably different from most other ancient town walls and military fortifications scattered around Korea. It stands out not only for its diverse functions but the aesthetic novelty and technical innovation involved in its planning and construction.

Walking counterclockwise to the west from this gate, the first structure encountered across the traffic road is a gate guard platform, which rises higher than the rampart. About 1km from here past a park with well-tended lawn are two sentry towers that are pavilion-like buildings standing on protruding battlements. Hwaseomun, the west gate with a single-story wooden superstructure, looks smaller and simpler than Janganmun and Paldalmun. But an observation tower standing nearby is worthy of attention for its unique appearance.

The fortress originally had three observation towers named Gongsimdon, meaning "tower with empty interior," one to the northwest, one to the south and one to the northeast. The southern tower was removed as Suwon expanded in modern times. The two remaining towers are among the most distinctive structures among all facilities of the fortress. Built of stone and brick and topped by a pavilion-type wooden superstructure, the three-story towers have gun embrasures arranged alternately to serve the purposes of observing enemy movements and firing arms. They have wooden floor, spiral ladders and banquettes on the wall inside. The southwestern stretch of the fortress, from Hwaseomun to Paldalmun, meanders along the ridges of Mt. Paldalsan overlooking lush wood and beyond to downtown Suwon. Among the structures here are two corner towers, three sentry towers, a command post, an arrow launching platform and two secret gates.

From here past Paldalmun and market and then across a stream, the rampart runs to another corner tower, more sentry towers and beacon tower. The brick-built beacon tower has five mounds for making different signals with fire or smoke: one for peace time; two when the enemy has been spotted; three when the enemy is approaching; four when the enemy has made its way into the city; and five when combat has stared. Past another sentry tower from here is the east gate named Changnyongmun and an arrow-launching platform. The northeastern observation tower looms high over the rampart.

The eastern command post stands nearby, which is connected to a secret gate, then past another sentry tower and another secret gate, there is the most beautiful section of the fortress, surrounded by a picturesque landscape. The northeastern corner tower is an exquisite L-shaped pavilion with an ornate roof, which stands on a hill with beautiful willow trees overlooking a lotus pond with an artificial islet. Not far from this pavilion is located the northern floodgate, a stone bridge with seven arched sluices topped by an elegant open pavilion and brick-built parapet.

Hwaseong Haenggung Palace is the largest of the Joseon temporary palaces, and situated nearly in the center of the fortress, and in the shadow of Paldalsan. At its height, the palace included 576 compartments that featured feasts and cultural performances. It was the hope of King Jeongjo to move the seat of power from Seoul to Hwaseong during his reign, an event that never fully manifested. Entrance to the Haenggung is granted by passing through Sinpungmun. The gateway means new hometown and further reflects the king’s desire to settle here. Initial construction began in 1789, but was expanded during the fortress’ creation between 1794 and 1796.

The compound included twenty-two buildings at its completion, not including servants’ quarters.
The Hwaseong Haenggung isn’t as lavish as the Grand Palaces of Seoul, and probably leading to some of its charm. It literally is a retreat and walking the grounds gives visitors that sense. Many who take the time to visit the detached palace do so in a leisurely manner. While several tours are available, and it’s quite popular with local schools, many guests take the opportunity to relax in open rooms and pavilions. It’s something that can’t be done in Seoul, and a welcome change. Visitors can play traditional games, make rice cakes, or even choose to experience being trapped in a rice chest as King Jeongjo’s father (Crown Prince Sado) was ? which ultimately lead to the creation of this location.

During the annual Suwon Cultural Festival, extra events take place on these historic grounds, like the civil service exam and King Jeongjo’s Procession. Constructed in 1801 was the Hwaryeongjeon, a small complex built to house the portraits of King Jeongjo. He was never able to see its completion, so it was finally erected during the first year of King Sunjo’s reign. Other such buildings typically retain ancestral tablets, but that is not the case here. Housing royal portraits is an act usually reserved for living monarchy and is something of a rarity in Korea.

Seokguram Grotto
Located in Gyeongju, the temple construction began in 751 by Kim Daeseong who had two parents and was completed in 774. He lived poor with a widowed mother. One day they offered a small donation to the Buddha and the temple. Upon his sudden death, he was reincarnated in the Kim Munryang's family. One day he was strongly inspired by the Buddhism and finally decided to build beautiful temples for his two parents. Bulguksa is the one for his present parents and Seokguram is for the former parents. The man-made cave houses one of the most beautiful Buddha statues in the world. High up on the Tohamsan Mountain, behind the Bulguksa temple, this 9m high domed rotunda, which was built to represent the Buddhist world, also contains thirty nine Bodhesattvas, the Buddha Sakyamuni's ten enlightened disciples, gods and guardians. During the Joseon dynasty when Buddhism was persecuted, this national masterpiece was forgotten. Then, one cloudy day in 1909, a lone postman suddenly had to take a shelter from a thunderstorm. He dashed to the dim light, and saw the magnificent statue. After its rediscovery, the Seokguram grotto was opened to the public, and become a well- known attraction. A traditional-style building erected over the cave's entrance creates a darkened area from which to view the serene and graceful lines of the big Buddha statue (3.48m high) inside. Thus, even though one has to look through protective glass, there are none of the reflections that formerly impaired viewing. Inside the cave, the statue is well lit giving a fine view of the remarkable and delicate stone carving that is dated to 751.

Bulguksa temple
Located in Gyeongju, the temple was built in 774. It is one of the best known and oldest temples in Korea. The name means 'Buddha Land' and it is located on the outskirts of Gyeongju, the ancient capital of the Unified Silla Kingdom. The temple was first built in 535 during the reign of King Beopheung (reign: 514-540), the first Silla king to accept Buddhism. In 751, the temple was expanded during the reign of King Gyeongdeok (reign: 752-765) by minister Kim Daeseong in honor of his parents. He also built the Seokguram grotto in memory of the poor parents of his previous life. The Bulguksa temple epitomizes the spirit of Silla, bearing witness to the architectural achievements of the period and showing highly refined aesthetic beauty.

Two mortarless stone pagodas stand complementing each other in the courtyard of the temple. Seokgatap Pagoda (8.2m high) is representative of the trend during the Unified Silla period when pagodas were simplified to consist of three stories. The simplicity of this pagoda is enhanced by the complexity of its twin Dabotap Pagoda (10.4m high). Legend tells that they were both created by a mason called Asadal who left his young wife Asanyeo, promising to return as soon as the pagodas were completed. After years of waiting, Asanyeo journeyed to Gyeongju but was prohibited from visiting the pagodas. She was told to wait near a pond and that she would know when the pagodas were completed as they would reflect in the pond. Eventually, out of desperation, she threw herself into the pond. Thus, Seokgatap Pagoda is sometimes called the 'Pagoda without Reflection'. The pure light sutra, the oldest wood print measuring 6.2m long and 6.7cm wide, was found in Seokgatap pagoda in 1966.

The Bulguksa temple is particularly famous for its graceful staircases, actually bridges. They are the oldest stone bridges in Korea and are called bridges because they lead from the secular world to the Land of the Buddha. The one to the east is called Blue and White Cloud Bridge. The second bridge stairway, to the west, is called the Lotus Flower and the Seven Gems. There are two 9th century gold leaf statues, one of Amitabha, the Buddha of Light and the other of Virocana, the Buddha of Cosmic Power. They are considered to be the oldest and largest sitting gold statue in Korea. The Amitabha statue is in the Paradise Hall which is connected the Virocana Hall by a covered corridor.

The Gyeongju Historic Areas
The Gyeongju Historic Areas covers Mount Namsan belt, Wolseong belt, the tumuli park belt and Hwangryeongsa. The areas contain a remarkable concentration of outstanding examples of Korean Buddhist art, in the form of sculptures, reliefs, pagodas, and the remains of temples and palaces from the flowering of this form of unique artistic expression. Gyeongju City and its surroundings have inherited traces of the glory that flowered and withered in the ancient Silla Kingdom (BC 57 - AD 935). The Mount Namsan Belt, which lies to the north of Gyeongju City. Before the arrival of Buddhism in the early Silla period, Mount Namsan in Gyeongju City was worshipped as one of the five sacred mountains. It was the seat of a refined form of shamanism with elements of native cults, fetishism, and animism. With the spread of Buddhism it became the earthly representation of Sumeru, the heavenly mountain of the Buddhist lands. Its gorges and ridges are embellished with granite pagodas, filigree works, pottery buried in the earth for more than a thousand years, impressive royal graves and palace sites, and stone sculptures and rock-cut reliefs of Buddha.

It is a treasure house of thousands of relics that embody Buddhist benevolence and law. The Buddhist monuments that have been excavated up to the present include the ruins of 122 temples, 53 stone statues, 64 pagodas, and 16 stone lanterns. Excavations have also revealed the remains of the pre-Buddhist natural and animistic cults of the region. The nomination dossier contains descriptions of 36 individual monuments, 11 rock-cut reliefs or engravings, 9 stone images and heads, 3 pagodas, 7 royal tombs or tomb groups, 2 wells, one group of stone banner poles, the Namsan Mountain Fortress, the Poseokjeong Pavilion site, and the Seochulji Pond. The rock-cut reliefs and engravings and the stone images are fine examples of Silla Kingdom Buddhist art. They are artistic masterpieces which trace the evolution of this especially refined school of Buddhist art throughout its most prolific and innovatory period, in particular from the 7th to the 10th century. They depict for the most part Buddha, and also the saints and bodhisattvas associated with him. The most impressive is probably the Buddha Rock, a massive natural formation in the Tapgol Valley. It is located close to a three-storey pagoda, and its three walls are decorated with vivid depictions in bas-relief of Buddha in different incarnations, surrounded by his acolytes and disciples. The royal tombs, in the form of simple earthen mounds or tumuli, reinforced by layers of stone slabs, are those of Silla kings from the 2nd to 10th century. There can be little doubt that many others remain to be found on the mountain, which was the preferred burial area for the Silla rulers. The Poseokjeong (Abalone) Pavilion takes its name from a shell-shaped stone watercourse within the enceinte. This is, in fact, the only element of the detached palace group that survives. It was the favored site of the Silla Kings for recreation and relaxation; one of the last members of the dynasty, Gyeongae, was murdered here by the founder of the succeeding Baekje Kingdom, Gyeonhwin, during a party here in 927.

Mount Namsan was first fortified in 591 and greatly enlarged in the later 7th century. This is the structure, the remains of which survive today as the Namsan Mountain fortress. Much of the parapet of the massive ramparts has been demolished, but enough survives to indicate that it stood originally to a height of no more than 2m. A broken stone inscription records the fact that the construction workers undertook to rebuild the fortress if it collapsed within three years of building. The Wolseong Belt occupies south of city center, dominated by the ruined palace site of Wolseong, the Gyerim woodland which legend identifies as the birthplace of the founder of the Gyeongju Kim clan, Anapji Pond, on the site of the ruined Imhaejeon Palace, and the Cheomseongdae Observatory. Wolseong (Moon Palace) takes its name from the shape of its compound. To the south the Namcheon stream forms a natural defense, and ditches were dug round the other three sides to create a water-filled moat. A royal palace was built here and reconstructed over succeeding centuries by successive Silla Kings, for whom it was their main palace. Another palace was built at Imhaejeon in the second half of the 7th century. Its opulent garden was graced by a beautifully configured pond, with a sacred mountain in its centre. Both palace and pond were destroyed when the Silla rulers were ousted, but what remains of the pond have always been populated by wildfowl, from which it acquired its popular name, Anapji, the Pond of Geese and Ducks. The Cheomseongdae Observatory was built towards the middle of the 7th century. The platform consists of twelve rectangular slabs, which support a structure of 365 granite blocks arranged in thirty successive layers. The circumference of the base is 5.17m and the total height is 9.17m; the structure tapers towards the top to provide stability. Access is by means of a window at this level and there is an internal staircase. The astronomical ascription derives from the fact that the number of blocks is equivalent to the number of days of the year and the number of open courses to the twelve months of the year and the signs of the Zodiac.

The Tumuli Park Belt consists of three groups of Royal tombs. Most of the mounds are domed, but some take the form of a half-moon or a gourd. They contain double wooden coffins covered with gravel. One of the earlier tombs yielded a mural painting on birch bark of a winged horse. Hwangnyongsa Belt consists of two ruined temples, Hwangnyongsa and Bunhwangsa. Hwangnyongsa, built to the order of King Jinheung (540-76) was the largest temple ever built in Korea, covering some 72,500㎡. An 80m high nine-storey pagoda was added in 645. The entire complex was destroyed by Mongol invaders in 1238; it was never rebuilt, but was occupied by more than a hundred families, who were moved out in 1976. Excavations have shown that in its original form the temple had seven rectangular courtyards, each with three buildings and one pagoda. The massive pagoda on the Bunhwangsa was built in 634, using dressed stone blocks. Analysis of the stone debris suggests that it originally stood to a height of seven to nine stories. Following Buddhist tradition, a stone lion guarded each corner of the basal platform. There is a doorway in the centre of each of the four walls of the lowest storey with two sliding doors flanked by high-relief carvings of fierce warriors or kings.

Depositories of Tripitaka Koreana
They are located on the slope of Gayasan national park, about 40Km west of Daegu. The excellent condition of the printing blocks of the Tripitaka Koreana, which have defied time and the elements over the last seven centuries, has emerged as a challenge to modern preservation science. The wood was meticulously processed for years to weatherproof and prevent decay, before and after the carving of the scriptures. But the manufacturing technology alone would not have been sufficient to preserve the numerous wooden blocks in such a perfect state over the centuries. To a significant extent, the wonder is attributed to the wisdom of those who built the wooden depositories. Constructed in the late 15th century, about a century after the printing blocks were moved to Haeinsa, the two simple and sturdy structures, each of similar size and design, have perfectly played their intended role of preserving the priceless artifacts. The true challenge for modern architecture lies in the fact that the ancient builders took advantage of nature with prominent wisdom and technical knowhow in selecting the site and designing the buildings.

At the back of the main worship hall, a flight of steps leads up to a group of four depositories from the 15th century or Janggyeong Panjeon housing 81,258 wood-blocks of Tripitaka Koreana, an offering to the Buddha for national protection from the looming Mongol forces. The printing blocks are some 70cm wide, 24cm long and 2.8cm thick on the average. Each block has 23 lines of text, each with 14 characters, on each side. Each block thus has a total of 644 characters on both sides. Some 30 men carved the total of 52,382,960 characters in the clean and simple style. The characters are perfectly carved as if from the same hand. They were completed in 1251 after 16 years of work in Jeondeungsa temple on Ganghwado and were transported here for safekeeping. Two long depositories are designed to have natural ventilation by facing different size windows in the front and rear of the building.

The depositories stand at the highest level of the temple compound overlooking the beautiful roof lines of some thirty buildings including worship hall, dormitories and auditoriums. The two elongated structures with a rectangular courtyard in between stand at 655 meters above sea level, facing southwest. At this altitude and direction and being protected by high peaks at the back, the buildings can avoid both the damp southeasterly wind blowing up from the valleys and the cold northern wind, with no part of the structures affected by permanent shade.

Two small buildings standing on either end of the courtyard are storages of the printing blocks for scriptures and other books published by the temple. Built upon low granite foundations, these wooden structures with hipped roofs, each measuring 60.44 meters long, 8.73 meters wide and 7.8 meters high, facilitate maximum ventilation as well as temperature and humidity control with no obvious devices other than open grill windows. The ingenuity of the ancient architects is shown in the layout of the windows. Both halls have two rows of wooden grill windows divided by a central molding on the front and back walls. In the case of the front hall, named Sudarajang, or the Hall of Sutras, the windows of the lower row in the front wall are about four times as large as those of the upper row, while the upper windows in the back wall are about one and a half times the size of the lower windows. In the case of the back hall, named Beopbojeon, or the Hall of Dharma, the lower windows on the front wall are approximately 4.6 times the size of the upper windows, and the upper windows on the back wall are about 1.5 times the size of the lower windows. This is apparently a plan based on the theory of hydrodynamics and air flow. The windows allow for maximum natural ventilation. Fresh air is brought in through the larger upper windows and moisture is prevented from seeping in from the ground from the back of the buildings as the lower windows are small. The fresh air is intended to circulate around the hall before escaping through the windows on the opposite side. Each hall has two lengthy rows of five-story shelves.

Each story contains two rows of woodblocks, vertically arranged one row upon the other. The printing blocks have thicker margins on the sides, so the carved sections are always exposed to the air flow. The storage halls have clay floors to help control temperature and humidity. The floors have layers of salt, charcoal and lime underneath, which absorb excess humidity during the rainy season in the summer and maintain an optimum humidity level during the dry winter months. The roofs are built of clay and tiles over wooden rafters and simple brackets, which prevent abrupt changes in temperature caused by direct sunlight. All the natural and technical factors considered, it still remains a mystery how insects and wild animals are kept away from the buildings. The monks contend that not a single spider's web has been found within the halls and no mildew or moss either. Not a single bird has ever been seen resting on the roofs. The buildings survived fires that ravaged the temple no less than seven times, destroying all of its original structures.

In order to control the temperature and humidity within the depositories, there are restrictions to visitor entry into the Janggyeong Panjeon. In order to protect the Janggyeon Panjeon and woodblocks from fire, full-time security guards and a 24-hour surveillance system are in place. In addition, Cultural Heritage Administration of Korea decided to limit the public access to the whole Janggyeong Panjeon complex for 4 years from January 1, 2013 till December 31, 2016.

Gochang, Hwasun, and Ganghwa Dolmen Sites
The prehistoric cemeteries at Gochang, Hwasun, and Ganghwa contain many hundreds of examples of dolmens, tombs from the 1st millennium BCE constructed of large stone slabs. They form part of the Megalithic culture, to be found in many parts of the world, but nowhere in such a concentrated form. Dolmens are megalithic funerary monuments, which are numerous in Asia, Europe, and North Africa. Korea has the greatest number of any country. These are of great archaeological value for the information that they provide about the prehistoric peoples who built them and their social and political systems, beliefs and rituals, arts and ceremonies, etc. The Gochang, Hwasun, and Ganghwa sites contain the highest density and greatest variety of dolmens in Korea, and indeed of any country. They also preserve important evidence of how the stones were quarried, transported, and raised and of how dolmen types changed over time in north-east Asia. Gochang Dolmen Sites located in the Jungnim-ri dolmens, is the largest and most diversified group, centre on the village of Maesan.

Most of them are located at altitudes of 15-50m along the southern foot of the hills running east-west. The capstones of the dolmens here are 1-5.8m in length and can weigh 10-300t. A total of 442 dolmens have been recorded, of various types, based on the shape of the capstone. Like those in the Gochang group, the Hwasun dolmens are located on the slopes of low ranges of hills, along the Jiseokgang river. Individual dolmens in this area are less intact than those in Gochang. The Hyosan-ri group is estimated to comprise 158 monuments and the Daesin-ri group 129. In a number of cases the stone outcrops from which the stones making up the dolmens were quarried can be identified. Ganghwa Dolmen Sites are on the offshore island of Ganghwa, once again on mountain slopes. They tend to be higher than those in the other sites and stylistically early, notably those at Bugun-ri and Gocheon-ri.

Jeju Volcanic Island and Lava Tube
The registered nature heritage consists of three main sites - Hallasan, the highest peak of the country, an extinct volcano topped by huge crater of which has a volcanic lake, called Baeknokdam (108m in length and 1,720 in circumference). Hallasan was formed during another volcanic eruption. It now rises in the center of the island to a height of 1,950m, with the rest of the island sloping down from its summit and covered with dark gray volcanic rocks and rich volcanic soil. Seongsan Ilchulbong tuff cones, and Geomunoreum lava tube chain - that together make up 188.43, 10.3% of the surface area of the Jeju Island. More than 120 lava tubes are scattered throughout Jeju Island. Geomunoreum Lava Tube System refers to a series of lava tubes formed in the large amounts of basaltic lava spewed out by the live Geomunoreum volcano. This volcano is located across two administrative areas (Deokcheon-ri, Gujwa-eup and Seonheul-ri, Jocheoneup) in Bukjeju-gun, Jeju-do. It is perched atop an elevation of 456.6 m.

The lava from the Geomunoreum volcano flowed down the slope of Mt. Hallasan in a north-northeast direction down to the coastline. Throughout the flow it has created numerous lava tubes, such as Manjanggul Lava Tube (Manjang), Bengdwigul Lava Tube (Bengdwi), Gimnyeonggul Lava Tube (Gimnyeong), Yongcheondonggul Lava Tube (Yongcheon) and Dangcheomuldonggul Lava Tube (Dangcheomul). Seongsan Ilchul-bong, located at 48Km east of the Jeju city, it is the island's largest volcanic rock cone, which was formed earlier than the Jeju island created. And is one of the most breathtaking sights of the Jeju island. The volcanic cone has a plateau-like basin surrounded by 99 sharp-edged rocks on its rim. Unlike Mt. Halla there is no crater lake, because of the porous quality of the volcanic rock. This is the place to catch the sunrise, which is the most spectacular in Jeju. Rising from the double-headed peninsula at the eastern end of the island, this volcanic crater rises 182m straight up from the water. Its southeastern and northern outer walls are craggy cliffs which have been eroded by sea water. Only the northwestern side of the peak has a grassy ridge, and this leads to Seongsanpo. The whole crater, with its basalt pinnacles which looks like a crown from a distance, reflects marvelous scenery.

Royal Tombs of the Joseon Dynasty
During the Joseon Dynasty (1392-1910) 119 tombs were constructed. Each tomb is designated Neung, Won or Myo depending on the royal status. Of these, 40 are royal tombs for Joseon Dynasty kings and their consorts (and there are a further 2 located in North Korea). The tombs were built to honor the memory of ancestors, to show respect for their achievements, to assert royal authority, to protect ancestral spirits from evil and to provide protection from vandalism. A royal tomb was a sacred place where the deceased could 'live' in the afterlife amidst dynasty-protecting ancestral spirits. There are three keys to understanding the royal tombs: the topography of the site and the layout of the tomb; the types of burial mounds, the sites' associated structures and the nature and aesthetic qualities of site-specific stone objects; and the rites associated with the burials as well as extant documents that verify the construction process. During the Joseon Dynasty, sites were chosen according to Pungsu (Fengsui in Chinese) principles. Accordingly, outstanding natural sites were chosen, which were mainly along two mountain chains stretching to the north and south of the Han River that flows through present-day Seoul. The burial mounds, the 'heart' of a royal burial ground, were usually placed in the middle of a hillside. Protected from the back, they face outward (to the south) toward water and, ideally, toward layers of mountain ridges in the far distance. (From Cultural Heritage Administration)

Hahoemaeul Village
About 25km west of Andong is famous traditional village, Hahoe. As is set on the knob of land that causes the river to form a S-shape loop meaning Hahoe, the village is named as such. The Nakdong river flows around this village in a S shape with a wide flat silted river valley on both sides. Overhead rears the strange rock cliffs. The village itself contains various typical Korean houses preserved since the early Joseon dynasty, which makes it one of the best traditional villages for the firsthand experience of old tradition. The village, established by the Pungsan Ryu clan in the 15th century, was the home of noblemen. Some 460 Korean traditional houses, both large and small, are well preserved because of its location and of its cultural value. The village is more popular with mask carving and its mask play so called Polshin-gut, the shamanistic ritual dated from the Goryeo dynasty (918-1392). Today, about 300 residents are living here in traditional houses. Queen Elizabeth II came to visit this village on April 21, 1999.

Yangdongmaeul Village
Located about 20km north of Gyeongju, Yangdongmaeul is a traditional village embracing a simple and unadorned natural beauty. It is a relatively less known village which used to be a middle upper-class town during the Joseon dynasty. Just north of the village stands the guardian mountain Solchangsan which breaks into four branches as it descends from the Mujangbong peak. At the entrance to the village, the view is interrupted by steep ridges, making it impossible to guess its grand scale from outside of the valley. Most of the grand old houses can only be seen up close. There were more than 600 houses here, but with the influx of modernization and change of lifestyle, the traditional houses decreased. The houses, built according to the harmonious theory of yin and yang have been handed down from generation to generation in their original elegant forms. Most of the people here are the descendent of Son and Yi family. Most of the houses are still occupied by villagers but some are empty, making it more comfortable to examine them.

Of the significant buildings of the village is Gwangajeong pavilion. It was built by Son Jungdon (1463-1529) whose pen name is Ujae. He served the government as minister of home affairs during the reign of Seongjong. The house has a square layout with inner court, Gwangjeong. The women's quarters appears to be a simple structure with square pillars. At the back of the house is shrine with a gabled roof, and round pillars, and a wooden-floored veranda with a railing. Since the pavilion is located on the high ground level at the entry of the village, it has a wonderful view of the natural surrounds. In the front are two giant gingko trees, which is said to have planted in memory of the pavilion being built.

Hyangdan is a beautiful tile-roofed house complex. It was built in 1543 at the order of King Jungjong as a home for the ailing mother of Yi Eonjeok (1491-1553), who had just been appointed to the governor of Gyeongsang province. Originally, here stood a 99-roomed house, which was later destroyed. The number of rooms was reduced to 56 when the building was reconstructed in 1976. Mucheomdang is the home of Yi Eonjeok's father, Yi Beom. Built in 1460, it shows simple but elegant workmanship with special highlight on functionality. The signboard bearing calligraphy on the right was written by the Regent of King Gojong, The sign says 'Left sea refined and scholarly'', a reference to the scenery and scholarly associated with the nearby sea.

Simsujeong pavilion was built in 1560 in memory of Yi Eongwal, whose pen name is Nongjae. Refusing to accept any official position, he is said to have devoted himself to caring of his old mother on behalf of his elder brother, Eonjeok. It is the largest pavilion in the village. Another attractive house is Seobaekdang. It has all the scale and formality of a mansion. Built in the 1454, it is the home of the Son family, the founder of this village. A giant juniper tree of some 500 years old stands graciously boasting fully of its dignity. A geomancer, Seol Changson who selected this place as the best site for a home, predicted that three great figures would come from this house in which the spirits of Mt. Seochangsan are condensed. The first was Son Jungdon (1463-1529), who became a famous government official of impeccable integrity. The second was a famous Confucian scholar Yi Eonjeok, who was born here in his mother's maiden home. The 3rd great figure has yet to appear. A walk through Yangdong can help you to imagine the life of a nobleman during the Joseon dynasty.

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